Using full blood Native American models, my painting process starts with a photo shoot. I appreciate the beauty of the Native American regalia and strive for authenticity as well as accuracy. The models generally are well experienced and never require posing, including the children. Indians are perfectionist when it comes to their regalia, braids need to be wrapped correctly, the medallion must hang 'just so' Nothing is accidental, not even the way a braid falls. When I am painting, I hope for the same perfection in my work.
Humor and generosity accompany these sessions, and, sometimes, if the moment allows there will be a captivating lesson in the form of a story. It is a spiritual exchange between model and artist.
During the photo shoot, I take eighty or so pictures. I compose in the camera's viewfinder as I go, seeing everything as a painting. The model and artist work as one, anticipating the other's need. Photographs work well for me, as there are times I don't wish to restrict the model,
At times I work from old photographs from the eighteen hundred or so.
From the photos I make my choices. I look for anything I feel will translate into a painting. The subject determines if it will be pastel, oil or something else. I use acid free quality materials. Most of the time I start working directly on canvas or paper, other times I might make a small study. Each approach is as individual as the painting itself.
It is helpful to paint with a mirror behind you. Checking your work in the mirror helps clarify mistakes.
I use the same approach when painting all of my subjects. It is all the same adventure to me.